Browsing All Posts published on »February, 2010«

The 10 Early Warning Signs of Writer’s Block

February 27, 2010

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I found a great article on a site called Script X-ray which I’m dying to share with you. However, here are the common signs of the feared block that causes not only your script, but your self to flounder. 1. You’re unable to make creative decisions If you find yourself leaning back from your computer… [Read more…]

The Language Of Film Industry Executives

February 26, 2010

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I hope you all read the trades to be informed of the film activities occurring both in LA and the rest of the world. I stumbled across this quaint post which Variety magazine published to help readers unravel the mysteries of their language. Here we go: 30-mile zone — Within a union-defined 30-mile radius (often… [Read more…]

The Mini Movie Method

February 24, 2010

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I never tire of hearing the Hollywood screenwriting gurus speak. They all have their individual take on storytelling and they all make good writing and storytelling sense. Le raconteur du jour is Chris Soth who teaches his mini-movie method. Most screenwriters are taught the conventional three act structure in terms of storytelling. Very briefly, the… [Read more…]

Screenwriting Tips from a Screenplay Contest Judge

February 23, 2010

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I just stumbled across this article by Gordy Hoffman from the BlueCat Screenplay Competition. There are many pearls of wisdom he shares for all screenwriters entering competitions. These comments are relevant to all competitions and I have heard readers consistently complain about a similar cluster of screenwriter faux pas. Not that any of you will… [Read more…]

The Emotional Toolbox Character Map

February 22, 2010

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I was fortunate enough to hear Laurie Hutzler speak about her character paradigm called the Emotional Toolbox. She has divided characters into nine main types depending on how they perceive the world and how they handle conflict. According to Laurie, each character falls into a diamond structure. The first point is the character’s strongest, prevalent… [Read more…]

Do You Have The Chops For Hollywood?

February 20, 2010

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You betcha, even if you’re a vegetarian. As long as you remember that there is no magic bullet. Connections can get you a read, meeting or even a free lunch, but ultimately you need to have an arsenal of quality commercial scripts under your belt. Write often. Write Well. Read scripts. Lots of them. Take… [Read more…]

Networking Your Way To Success

February 12, 2010

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If you’re in IT, networking means one thing, but if you’re in business it’s another. Networking is all about creating, nurturing and maintaining professional relationships. As a professional screenwriter, half your job is writing and the other half is networking. Remember that. Half your job is selling your work, half is selling yourself. You want… [Read more…]

Character is the Basis of Story Structure

February 11, 2010

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Here is another story paradigm covered in Donna Michelle Anderson’s book. I managed to read this cover to cover while waiting for a writing seminar. It’s based on classic mythical hero structure. Basically it’s all about character. A character had a need which must be fulfilled. Character drives action which in terms explores theme. Make… [Read more…]

The Dreaded Rewrite

February 10, 2010

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If you’re anything like me, you never nail that perfect script in a the first pass. A script consultant in LA who goes by the name of Pilar Alessandra (although her real name is Mary Watkins or Sally Crawford, depending on which state she’s wanted in) has suggested that a thorough rewrite takes seven passes.… [Read more…]

Conquering Writers’ Block

February 9, 2010

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Okay, so I copped a bit of flack for declaring that I don’t suffer from that pervasive performance anxiety called “the block”. Well, I don’t. Some psychologists claim that creative gridlocks are the result of stress. Trying to force out a story before it’s ready, or before you’ve had enough rest. Stress is a physical… [Read more…]

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